Most DAW software comes with at least a basic delay plugin and it should be fine for this effect. The difference in this method is the use of a delay plugin on one track instead of manually sliding it. Start by setting up two tracks with the same soundfile and pan them to opposite sides like we did in the first method (see Figure 1 and Figure 3). Wouldn’t it be nice if both soundfiles could be edited together? This way of setting up the Haas effect allows you to make identical edits in both tracks without worrying about the offset of the delayed track. This is where the next method comes in… A better Haas effect set up If you later decide to edit the part you will not only have to perform the same edit on both tracks, but you will actually have to perform the edit on the Haas track offset from the original edit. The main draw to this method is having two copies of the soundfile in your project. By sliding the track manually you can adjust the delay down to the sample (typically one 44-thousandth of a second or more).
Haas effect simple delay full#
Most delay plugins give you resolution in full millisecond steps. This way of doing the effect also allows you to easily adjust the delay by very small amounts. It can be set up very quickly and you can adjust the amount of the delay by nudging the soundfile back and forth. Most modern DAW programs make this process as easy as: select, copy, paste, drag, pan, done. The advantage of this basic way of setting up a Haas effect in your home studio is the simplicity. You should be greeted with a very rich stereo sound similar to my sound samples above. The main thing is that you pan them 100% and one on each side as shown in Figure 3. You can put the original on the left with the Haas track on the right, or the other way around. It doesn’t matter which direction you pan them. The last thing to do is pan both tracks in opposite directions. The more you move the more pronounced the stereo effect will be.Īlmost done. You don’t have to move a full 30 milliseconds as shown in Figure 2 but you probably won’t hear the effect very well unless you move at least a few. Back in this case means “to the right” which would be the audio equivalent of delay in the signal. Now we move one of the tracks back no more than 30 milliseconds.
You should have something similar to Figure 1. Copy the sound file to an adjacent track (it doesn’t strictly have to be an adjacent track but it makes things nicer to look at). Start with your desired track panned center. Sounds much cooler and it sits in the mix really well.
This article is going to cover several ways to achieve the sound. You can create the effect with no plugin at all or use a simple delay. There is actually a very simple way to turn a mono track into a rich stereo sound in your home studio. Ever wanted to give a lush stereo effect to a mono track? You can resort to using a stereo imaging plugin but the effect can leave a lot to be desired.
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